bitwig studio 2.3 firewire audio interface

We’re introducing voice stacking for a selection of our internal instruments, opening up incredible sound design possibilities. Furthermore, the Remote Controls follow your selection in a dynamic and predictable way. Here’s the good part: you will freely switch between layers without hard breaks or clicks, and your sustained notes and reverb tails will fade away naturally. They can also be used as multi-effects, permitting modulation and automated switching between layers. These devices are excellent for live use, particularly for swapping between patches and sounds - and not overloading your system in the act. Only one layer can be played at a time, and the other layers are inactive to both your ears and your processor’s load. The Instrument Selector and Effect Selector are exclusive layer devices. With Bitwig Studio 2.3, you’ll always find the right stretch mode and settings for your audio material, whether you are looking for a natural sound or aiming to make an artistic point. And we have also enhanced Bitwig’s own Stretch and Stretch HD algorithms, as well as adding two new ones: Slice, which slices audio at onsets, and Cyclic, a touch of retro-stretching inspired by early hardware samplers. New and Improved Time-stretchingīitwig Studio has received a generous boost in the time-stretching department by licensing the highly acclaimed Elastique algorithms from zplane. As a bonus, you can even set a time signature for a master clip in the clip launcher, using it to change or record time signature changes on the fly. You can now also set time signature properties for clips, offering a flexible note grid to satisfy your musical needs. Time signature changes will be included when exporting or importing MIDI files. You can now add time signature markers in your arranger timeline, and the timeline grid will be updated accordingly. With Bitwig Studio 2.3, we introduce time signature changes. Get greater detail, explore waveforms, and control multiple parameters at once. Panoramic view and controls are now available for seven of our devices: EQ-5, FM-4, Phase-4, Polysynth, Resonator Bank, Sampler, and Spectrum Analyzer.Īlso available as a detached floating window, the Expanded Device View enhances the connection, understanding, and control of each device. It’s time to break some (literal) boundaries and let our devices spread out further into space. Fire up Phase-4 in its expanded view (more on that below) to see it in all its glory.

The extensive controls for frequency, phase distortion, and phase modulation allow for easy and fast access to truly complex phase manipulation technology. The oscillators can even manipulate the built-in filter section for incredibly crisp and edgy textures. This combination of phase distortion and phase modulation – which we lovingly call phase manipulation – brings Phase-4 to life with all of its awesome sonic power. Each oscillator can also be phase-modulated, by itself and by the other three oscillators, producing a vast range of possible sounds and timbres. At the heart of the stereo oscillators in Phase-4 is a sine wave that can be shaped by five different phase distortion algorithms.

Bitwig studio 2.3 firewire audio interface